Adelaide Robineau
Porcelain Values, the AR Cipher & How to Sell
Interested in selling Adelaide Robineau porcelain?
Adelaide Robineau porcelain sells at auction for a median of $3,500, and it is one of the few American art potteries where the ordinary piece is worth real money. 54% of her lots sell above $3,000, against 3% for Rookwood. The reason is scarcity: only 95 Robineau lots have sold at auction anywhere since 2018, roughly eleven a year, across just eight auction houses. Revere Auctions is one of the eight. We offer free auction estimates: send photographs including the base, where the cipher and the year are.
Robineau at Revere Auctions
Revere has sold one Adelaide Robineau: a 1910 flambé glaze porcelain bowl, at $6,200 in April 2026.
| Lot | Sold |
|---|---|
| Adelaide Robineau porcelain flambé glaze bowl, 1910 | $6,200 |
Revere Auctions results. All prices are hammer prices (before buyer’s premium), from U.S. auction results January 2018 through June 2026.
One lot is not a specialism and we are not going to dress it up as one. What it is worth knowing is that the whole national market is eight houses deep, that our single result ranks 30th of the 95 lots sold anywhere in that period, and that it was a bowl in a market where almost every high price is a vase. Robineau bowls are genuinely uncommon, and it was catalogued and lit as porcelain rather than as pottery, which is the part that changes who bids.
The base of the same bowl. The excised AR cipher sits in a circular device with the year, 1910, directly beneath it. This is the single most useful photograph you can send us.
What Adelaide Robineau Porcelain Is Worth
Robineau is the inverse of most American art pottery. There is no cheap end to speak of, because she never made anything in quantity.
| Segment | Typical range |
|---|---|
| Doorknobs, trivets, test tiles and architectural porcelain | $300 to $900 |
| Miniature and cabinet vases | $1,100 to $2,800 |
| Standard vase or bowl, good glaze | $3,000 to $9,500 |
| Large or exceptional vase, or a documented University City piece | $10,000 to $26,000 |
| Important carved, excised or reticulated work | $38,000 and above |
Based on 95 sold lots. All prices are hammer prices (before buyer’s premium), from U.S. auction results January 2018 through June 2026.
Only 14 of those 95 lots sold under $1,000, and the best result since 2018 was $115,000 for an important night lamp base. Five lots have cleared $30,000. If you have inherited a small signed Robineau vase, the realistic expectation is four figures rather than three, which is not something we can say about most art pottery.
Who She Was
Adelaide Alsop Robineau (1865 to 1929) worked in Syracuse, New York, and is generally regarded as the most technically accomplished American porcelain artist of her generation. She was largely self-taught, beginning as a china painter, and in 1899 she founded and edited Keramic Studio, the magazine that trained much of a generation of American ceramic decorators.
What separates her from the production potteries is the material. Robineau worked in high-fired porcelain and threw, carved and glazed her own pieces. Porcelain is unforgiving at those temperatures, and her losses in the kiln were heavy, which is a large part of why so little of her work exists.
Her best-known piece is the Scarab Vase, subtitled The Apotheosis of the Toiler, made in 1910 and reportedly carved over something like a thousand hours. It cracked in the firing, was repaired and refired, and went on to take the grand prize at the 1911 international exposition in Turin. It is now in the Everson Museum of Art in Syracuse, which holds the largest collection of her work anywhere.
In 1910 she also worked briefly at the University City Pottery in Missouri. Pieces catalogued as “Robineau for University City” turn up regularly at auction and sit in the middle of her market, commonly between $2,250 and $12,000.
Looking into the bowl. The green crystalline pooling in the well is a glaze effect she pursued deliberately, and it is one of the things a buyer is paying for.
How to Identify a Robineau
The cipher. Her mark is a conjoined AR monogram, usually excised or incised into a circular device on the base rather than stamped or painted. It is often accompanied by the year, as on our bowl, where 1910 sits directly below the cipher.
The body. Robineau made porcelain, not earthenware. The unglazed foot ring is white and dense, and it rings rather than thuds. A heavy, soft, buff-coloured body is not hers.
The decoration. Carved, excised and reticulated work, meaning pierced right through the wall, is characteristic and carries the highest prices. Crystalline, flambé and matte glazes all appear. Scarabs and other Egyptian motifs recur.
What to photograph. The whole base in raking light, so the cipher and any year are both legible, plus a straight profile. Pieces described as “in the manner of Robineau” or “Robineau influenced” are a real category at auction and sell for a tiny fraction of the genuine article, so attribution is worth getting right before you sell.
Why There Is So Little of It
Ninety-five lots in eight and a half years is about eleven a year, nationally, across every auction house that reports results. For comparison, Rookwood runs to more than sixteen thousand lots over the same period.
Two things explain it. Her working life as a porcelain artist was short, roughly 1903 to the early 1920s, and the pieces were made one at a time with a high failure rate. And a large share of what survived went into museums early, the Everson in particular, and does not come back to the market.
The practical consequence for an owner is that a Robineau does not need to be exceptional to be valuable, but it does need to be correctly identified. There is no volume of comparable sales for a buyer to check against, so cataloguing carries more weight here than it does with a maker who sells two thousand lots a year.
Adelaide Robineau Appraisals
An auction estimate and a formal appraisal answer different questions.
A free auction estimate tells you what a piece would likely sell for at auction. It costs nothing and it is usually enough to decide whether to sell. Send photographs including the base and we will respond with a range.
A formal written appraisal is a signed document stating a value for a stated purpose: insurance, estate settlement and probate, or charitable donation. It is a paid service written to a different standard of value, and insurance appraisals in particular are normally higher than the auction estimate for the same piece.
Revere Auctions provides both through our appraisal and valuation services team. If you are not sure which you need, ask for the free auction estimate first.
How to Sell Adelaide Robineau
The strongest results for Adelaide Robineau porcelain come at auction, where national and international collectors bid against each other. Revere Auctions offers free, no-obligation auction estimates: send photos and dimensions and our specialists respond with a current market valuation and a recommendation on how to sell. Consigned works are professionally photographed, cataloged, and marketed through our fine art auctions to a worldwide bidder base, and we regularly arrange shipping for consignors across the country. If you need a formal written valuation for insurance or estate purposes, our appraisal and valuation services team can help; you can also read more about how selling at auction works.
Related guides: art pottery values, art pottery marks, Newcomb College pottery, Grueby pottery.
Reviewed by the fine art specialists at Revere Auctions, St. Paul, Minnesota.
Adelaide Robineau: Frequently Asked Questions
How much is Adelaide Robineau pottery worth?
The median at auction is $3,500, and 54% of Robineau lots sell above $3,000. Miniature and cabinet vases typically bring $1,100 to $2,800, standard vases and bowls $3,000 to $9,500, and important carved or reticulated work $38,000 and above. The best result since 2018 was $115,000.
How do I identify an Adelaide Robineau piece?
Look for a conjoined AR cipher, usually excised or incised into a circular device on the base, often with the year beneath it. The body is true porcelain: white, dense and hard, not a soft buff earthenware. Carved, excised and reticulated decoration is characteristic.
What is the Robineau Scarab Vase?
The Scarab Vase, subtitled The Apotheosis of the Toiler, is Adelaide Robineau’s best-known work, made in 1910 and reportedly carved over about a thousand hours. It cracked during firing, was repaired and refired, and won the grand prize at the 1911 exposition in Turin. It is in the Everson Museum of Art in Syracuse.
Why is Adelaide Robineau porcelain so rare?
She made pieces individually in high-fired porcelain, a demanding process with heavy kiln losses, and her working life as a porcelain artist was short. Only 95 lots have sold at auction anywhere since 2018, about eleven a year, and much of the surviving work went into museum collections early.
Where can I sell Adelaide Robineau porcelain?
Only eight auction houses in the country have sold a Robineau since 2018 and Revere Auctions is one of them. Send photographs of the piece and the whole base, including the cipher and any date, and our specialists will respond with a free auction estimate.







